Things that SUCK about managing a Music Recording Studio

5 Things to Take into Account Before Selecting a Recording Studio.When you lease a recording studio it pays to ask some questions first so you can focus on the music side of matters when you get there and leave the other things to the studio.

When you hire out a recording studio to your job, you are getting. The standing, the program, the place, engineer, and even the gear will all have an effect on your final item. Here are six things that I urge people 'check off' on their list till they drop their money for this deposit onto a recording studio expertise.

This point comes first because it is the most important. If there's going to be a battle between client and proprietor in this process, it revolves around payment to your project. Does the studio charge hourly? If they do, what is contained in that fee? Could you arrive to load in or is loading in and installation of equipment counted as studio time? How can the studio handle problems that (will necessarily) arise throughout the procedure? I have been in over one studio which took an extended time to fix a ground loop hum or pc issue. Some of these tacked to the conclusion of our session for this on time, a few didn't. How a studio manages these issues is a reflection of how the final product will turn out.

Lots of recording studios and engineers may bill based on a final item. You might get billed a rate per song. There's nothing wrong with this, per se, however you will want to be clear up front with you both will decide a tune is 'completed'. How often are you going to be permitted to make changes? Are you going to be present throughout the final mix down (do not assume you will be)? Will the file be correctly prepared for Assessing, or will some kind of mastering be contained? These are all things you'll want to address before you consent to cover a 'finished' product.

You could be thinking, "What does it matter to ME what digital audio workstation the studio is using? I am just playing the songs!" Well, there a few reasons you'll want to learn not just the DAW the version can come into play in your decision, although they're using. Oftentimes, you can consider the DAW being used to the tape format in a similar vein. You kept your master tapes that in case you wanted another mix it could be brought by you everywhere and continue working on your song. If your engineer recorded on a structure which was very proprietary or odd, your options were restricted by it as to where you can go! The DAW option can have pitfalls that are similar. If your tracks are recorded by you it may not be easily transferrable to a different format. This may or may not be significant for you personally, but if you do plan on bringing your job to other studios to work (or even work on it yourself) you will want to make sure that the engineer is using a DAW you have access to.

The availability can come into play when you're a little singer/songwriter that plans on using some home gear or if you're using a group. If you are going to put down a bunch of guitar tracks, having access to various cabinets and amps can help bring some variety to your audio! Obtaining a excellent library of digital tools or a choice of keyboards will go likely be crucial to filling out the sound of your project, if you are going to be incorporating keyboards.

Recording Studios Tampa

1725, 8423 N Nebraska Ave, Tampa, FL 33604

(813) 603-7505



The backline situation can also influence your billing/load in problem that I addressed. If there is a 'home' set as well as an amp your guitarist is currently looking forward to utilizing then you don't have to worry about loading in your own. Possessing a area ready to go and setup will cut back on setup time, which makes you more time for tracking!

Microphones can be a very personal choice, and by knowing what sort of mics an engineer chooses to use on each source, a lot can be said . A variety of alternatives in this class may result in a more diverse recording later on. Are they going to mic your guitarist's amp or are they going to record him or her 'guide'? Is that okay with your guitarist, if they are going straight? You may have some psychological 'function' should they have to be made more familiar with all the tracking situation, to do with certain members of your group. Can there be a choice of microphones which could be used for vocals? Though there are definite philosophical choices (like the U87) which will likely give an adequate sound in only about any situation, it is great to know that you have got a few distinct options if your singer's voice has a few powerful presence in particular frequency varieties.



As a studio proprietor, this query is on very top of my list before I go to work offsite. Finding a feel for the individual who's currently going to be 'at the helm' is priority number one for me. Keep in mind, this is the person who's going to make a vast majority of the choices concerning the categories. Having an engineer that seems flexible, open to suggestions, and positive in their decisions would be that 'perfect combination' of qualities which you will need to get... well... a great combination!

Does also have a ton of private apparatus with blinky lights and knobs and also the engineer need to be on the absolute bleeding edge of innovation? Probably not. The engineer must know their gear better than anyone. They need to be able to acquire a good sound economically and immediately, when things are not going as planned, and be able to think on their feet.

The location of this studio is something it can be important to keep the daytime productive and so few rings think about. Could it be incredibly far which makes it more difficult for them to get there for blending or overdubs, after the tracking day? Is it in the middle of a busy city with no access to a load-in location? Is there food readily available? Don't laugh, but that one is significant. Who wishes to waste 2 hours of their tracking time waiting for somebody to drive away to find food (that you will always need if you've booked a full day of recording!) . None of these factors may indicate you can't utilize a studio , just you will have to plan ahead to tackle the problem!

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Comments on “Things that SUCK about managing a Music Recording Studio”

Leave a Reply

Gravatar